My work explores the fragmentation and reconstruction of the human form through layers of color, transparency, and line. By combining hand-drawn imagery with translucent planes, I create compositions that shift depending on the viewer’s position, light, and perception.

 

Each layer acts as both a barrier and a window—concealing and revealing simultaneously. The body becomes unstable, multiplied, and reassembled through overlapping chromatic fields. What appears fixed at first glance dissolves into movement and transformation.

 

I am interested in the tension between structure and distortion, clarity and interference. The use of colored filters is not decorative; it actively alters the image, forcing the viewer to participate in the act of seeing.

 

These works exist between drawing and sculpture—flat yet spatial, controlled yet unpredictable. They invite viewers to question what is real, what is constructed, and how perception shapes both.